The most comprehensive survey of contemporary art photography on the market is now in paperback, and not a moment too soon. If photography helped shape art in the twentieth century, it has begun to dominate it in the twenty-first. Not only are major international museums and galleries devoting blockbuster exhibitions to the medium, but artist-photographers are being celebrated as contemporary masters, with their work commanding unprecedented prices. This essential survey presents the work of 76 of the most important and best-loved artist-photographers in the world today, including Andreas Gursky, Thomas Struth, Cindy Sherman, Jeff Wall, Sophie Calle, Wolfgang Tillmans, Nan Goldin, Martin Parr, Allan Sekula, Boris Mikhailov, Inez van Lamsweerde, Stephen Meisel, Philip-Lorca diCorcia and Sam Taylor-Wood. Introductions to each thematic section-City, Portrait, Document, Object, Landscape, Fashion and Narrative-offer words from the artists and valuable insights into their motivation, inspiration and intentions. An introduction to the volume as a whole sets out the historical relationship between art and photography from the early nineteenth century forward, and covers the art world's embrace of the medium in recent decades. Art Photography Now is a deep and visually striking guide to the essential aspects of contemporary photography.

Customer Review: good text some good artists but...

Very good Rhigting but only a few serious art photographers in this book all the others don't know anything about photography or art and the "visual" failure to pass the message of the concept they are dealing with at all!
There are a lot of much more better artists that deal with the same matters to choose from.

Is sade to see how the curators and academics that deal with art photography, follow the art dealers and PR people and they are failing on their mission and leading this wonderfull art of photography to pathetic places

Customer Review: one-sided view

to call this 'art photography now' is a bold move, and this collection is less a survey than an advertisement for a particular style of photography. the work doesn't vary much from artist to artist, and if you don't like color fictive constructions and digital manipulation then you probably won't like this book. as the trend of this type of large scale, color, set-up, advertising-influenced work fades, this book will seem a sad reminder of a rather lame period in photo history when the majority of galleries, critics, artists, and dealers joined forces to produce (like this title) little more than a shopping mall of trendy, elitist, high-priced commodity under the guise of art.

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